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Wankin' Stiphs has three releases for your
listening pleasure, bringing you the best of vintage punk rock from Los Angeles
and a new scorcher by the Horehounds out of Norfolk, VA.
Three releases by Wankin'
Stiphs Records are finally here!! How can you resist buying from these fine
young punks!!
The Wanker
The Stiph 
Don't forget to get a copy of the new
Horehounds album! See the special offer below. 26 songs total which includes 15 new tunes
and the entire remixed "No Time For You" album originally released on
LP only on Rockin' Bones Records.
And the reviews just keep piling in...
The
CD is fabulous. Thanks a mill. I love those horehounds. The
sound quality is really good too. I was rockin' out while I jogged.
-- Tina Walden, Friend
Sounds
great. Looks great!
-- Steve Stiph, Former world's oldest teenager and original L.A. punkster
I'm having fun playing it at extremely loud volumes.
I think it just sounds better that way.
-- Mario Solis, Founder of Plastic Idol Records
Thanx SO much, they're great. I have been able to
listen to about the first 10 songs so far. I like...I like it a lot. It sounds
like the kind of stuff I would like to play now around the local clubs. The kids
here would eat it up. I mean, titles like " Big Fuckin' Tits " and
" Snatch"....you gotta love it. Some of the material, the pace and
beat remind me of the Gears...remember them???? Good old school Punk.
-- Dan Wasko, Red Army
The Horehound CD is great.
-- Torbjorn Karlsen, Coach to Olympic medalist skier
Fuckin Rocks!!!
-- Rover, Original L.A. Punk
Hey, I really like this Horehounds CD. Leave it to
Wankin Stiphs to find the great rock and roll gems. yyyeeeeaaaahhhh!!!
-- James Lerie, Black Jax and Deadbeat Sinatra, among others
Your Horehounds CD came at a great time. I was
in a poop mood so I just did as instructed - ROCK OUT.
-- Bente Hassel, my cousin
So what if they're all friends of mine?
They've got great taste in music.

Special just released
price: $9 USA/Canada postage paid and $11 overseas airmail postage
paid. Paypal to willy@punk-information.com or money order payable to
Willy Aadnoy and mailed to PO Box 6480 Mesa, AZ
85216 USA. Overseas Paypal or cash only.
Visit Wankin' Stiphs on
MySpace: www.myspace.com/wankinstiphs
 
$6 PPD
$8 PPD
$13 PPD for Both
If you are not in the U.S.A., send me an
e-mail to willy@punk-information.com
for instructions. Payment by money order can also be sent to:
Wankin' Stiphs Records (payable to Willy Aadnoy)
PO Box 6480
Mesa, AZ 85216
Distributed by Road to
Ruin.
Final Ride
Wrong Side of the
Tracks
Summer Sun
Sample 3 Songs by the Black Jax via RealAudio here.
Reviews:
Shock + The
Silencers
If you have any taste whatsoever, you will like this CD.
So go get it! Don’t even bother reading the rest of this review. I’m just
full of shit anyway. Head on over to http://www.punk-information.com
and buy yourself a copy of this disc! You won’t regret it (unless you like
shitty music...in which case, you deserve to be disappointed).
Nouveau 70s punk is great and all....but nothing beats the real thing.
Try as they might, none of today’s “old school” revivalists can manage to
fully duplicate the pure electrifying coolness of early punk rock. There’s
something about those old punk records that I just love: the way they were
sloppy & poppy at the same time...the way they translated the fuck-you
insolence of youth into raw, exciting three-chord anthems...the way the vocals
always sounded so “cool”....Yeah.
If you own either of Shock’s ultra-rare 1978 singles, you know that this late
70s LA band was damn near as good as contemporaries like Black Flag, The Weirdos,
The Dils, X, The Avengers, Controllers, and Simpletones. For real! Here you get
BOTH Shock singles in their entirety---plus four “previously-unreleased”
tunes (nine songs in all!). This is great shit: explosive, tuneful goodtime punk
rock that oozes wanton California cool. Fans of the early Descendents will
approve.All in all, this sounds exactly like the sort of stuff that
delinquent suburban teens would have cranked at full blast back in the days of
skinny ties and cool haircuts. It might sound tame in comparison to the angry nu
metal music “the kids” dig today, but oldsters like me are bound to hear
these songs and find themselves nostalgic for their long-gone adolescent
shenanigans. Remember getting into trouble and fucking shit up, and then going
home to listen to the mixed tape that your cool punk rock friend made for you?
Every time I hear “This Generation’s On Vacation” or “I Wanna Be
Spoiled”, I can’t help but pump my fist in the air and pogo around my room.
When Shock broke up in 1978, main dude Steve Reina formed The Silencers (who
also featured singer Kat Arthur and guitarist Brian Hansen, later of the great
Legal Weapon). Here you get seven of the band’s tunes---the first Silencers
songs to ever see the light of day. I have to chuckle hearing one of the
most unique & gifted punk rock vocalists of all-time singing in a bratty
faux English accent...but this is good stuff nonetheless. Nothing mind-blowing
or world-altering, and the sound quality is lousy. But this is still very cool
tuneage in the “early California punk” mold. Crude, snotty, fun, and
catchy...just the way I like it. “Boyfriends and Girlfriends” is fucking
awesome! At the very least, I’ve gotta be stoked that Wankin' Stiphs has
rescued this material from the dustbin of history. It deserves to be heard.
Now I just wish someone would reissue all the classic Legal Weapon stuff!
---Joshua Blake Rutledge, opinionated asshole
www.geocities.com/nowwave
BLACK JAX
"Self-titled " CD
Look, the fact that I was a member of a later version of this band is of no
consequence because A) That version of the band was completely different
from the version presented here and B) I was a fan long before I was a
participant in any of their shenanigans. So there. All of you screaming
"conflict of interest" can kiss my ass. Now, on with our story. I
first saw
the Black Jax in late '85/early '86 at a party in Montebello, if I'm not
mistaken. I was a little, bald, hardcore shithead who thought that you had
to play fast and hard to be considered a good punk band. They proved that
particular belief of mine was ridiculous. The band was hard, up-tempo and
(gasp) melodic at the same time. The fact that Pogo was a fuckin' madman
didn't hurt much either. We later got chased out of the party 'cause a drunk
Vietnamese kid who was with us was claiming to be a "Suicidal" in a
party
filled with skinheads (Suicidals and skins didn't get along back then, mind
you) and he ended up jumping into the swimming pool. I left that party
humming the song I later learned was called "Fooled By a Pretty Face"
and
considered myself a fan from that day forward. Over the next year, I saw
them many times and, each time, I stood awed at how utterly goddamned good
they were. They could pull hooks out of thin air. They laid waste to almost
any band dumb enough to play with them. They were, to sound like a high
school geek, fucking awesome. Sadly, though, they never got their moment in
the sun or the chance to put their amazing set on vinyl. This release, which
consists of two demos, will hopefully rectify that injustice. The first nine
songs were recorded in 1986 and later (coupled with a live show from Raji's
that ain't on here on the other side of the tape) became the band's official
demo. The sound is what is now referred to "77 punk" with a good dose
of old
So Cal punk for good measure, yet, 14 years later, they don't sound dated at
all. The recording is excellent (which is amazing considering that it was
recorded on a four-track in a bedroom) and the tracks are tight and fat with
instantly hummable hooks. Their finest moment, the song "Growing
Pains,"
which begins with a quiet guitar intro and quickly kicks into overdrive,
still gives me chills. The remaining three tracks are from an earlier demo
that I've never heard (dammit, Gary, you were holding out on me!). The sound
on these are a little rawer, but the songs shine through and transcend the
primitive recording limitations. A note of gratitude goes out to Steve Stiph
for finally giving this great, long-gone band their due. Now those of us who
have been listening to shitty, worn out cassette copies of the demo all
these years can give them a decent Christian burial and rock out once again
to one of the best punk bands East LA/San Gabriel ever produced. -Jimmy
Alvarado </contributors/jimmy_alvarado> (Wankin' Stiphs, PO Box 6480,
Mesa,
AZ 85216) -5/14/2001 4:25:00 PM
Now it's 1984, in the depths hundreds of
America's garages, basements, and backyards, lurked some of the most powerful
pent-up punk rock energy ever felt. This bottled up fury was only further
energized due to it never having been unleashed to the world. One of these
vessels of frustration and overflowing talent were LA's Black Jax. A shining
example of 80s California punk, sound, style, and passion. Formed in 1984 and
deformed in 1987, these 12 nostalgia induced punk rock gems total to everything
they've ever recorded. Sound and influence point to 70s NY, LA, and UK punk,
courtesy of New York Dolls, Ramones, Weirdos, Zeros, Stiff Little Fingers,
Vibrators and Buzzcocks. Never having toured farther than 100 miles from LA, and
having played no more than 100 shows, The Black Jax' claim to fame probably
would've been opening up for the Adolescents and the Weirdos in 86. Other than
that, most of the Black Jax shows probably took place no further than various
backyards and basements. -- Ken World Wide Punk
After sitting in the can for 14 years, the
first (and last) Black Jax album finally saw the light of day late last year.
And check it out: This little time capsule relic from punk rock's darkest days
is NOT an exercise in tuneless macho hardcore posturing! Instead it's solid
proof that classic punk rock didn't totally die out in the midst of crossover
hell! This is rocking, melodic, energetic punk with a genuinely FUN attitude!
The Black Jax were one of the few bands
playing '77-style punk rock in 1986, but they never toured or released an album.
When they broke up in 1987, they were certainly destined for eternal obscurity.
But thanks to the magic of recording, this L.A.-area band finally gets a fair
shot at immortality. BLACK JAX is a nice collection of raw, catchy roots-punk
smackers anchored by the infectious smash-hit anthem "Wrong Side Of The
Tracks". "Mine All Mine" and "Fooled By A Pretty Face"
also pack a punch and deliver a hook.
Besides the Fastbacks, Descendents, Ramones,
and Mr. T. Experience, not many punk bands were taking a melodic approach circa
1986. BLACK JAX sounds more like '78 or '95 than it does like '86, but what
makes it vital isn't just the formula. It's the tunes, pal! The better songs
have stood up to the test of time and made the release of the CD a worthy
endeavor.
Countless bands throughout punk history have
similar stories to the tale of The Black Jax: They played dozens of shows, wrote
a bunch of songs, and broke up before they could spread their rocking madness
outside of their hometown. In most cases, such obscurity was hardly a great loss
to the world-at-large. But in the case of The Black Jax, the trip into the
archives is far more than just a tip of the hat to nostalgia. The all-important
hooks are there, so BLACK JAX is far from a vanity pressing.
-- Josh Rutledge Now Wave Magazine BLACK JAX = Killer tunes Dude.. this self-titled
album was recorded in 1986 and was finally released in part by our keen friend
Willy @ www.punk-information.com..
Check it out.. Cuz it rocks.. This band which had a short lived life span
from 1984 to 1987 really uses it's influences to the fullest.. they have
this sound that is driven by the drive of old 80's hardcore, and roots style
brit pop, and in part glam rock.. very cool.. it reminds me of hook laden
Descendents without a vocal whine.. which I must say is more in tune with
an unique Angry Samoans attack.. This was definitely a band that could
have gone somewhere other than the L.A. area.. VERY COOL... GOTO
www.punk-information.com
-- Chris Imperfekt Imperfekt Records
1990s pop-punk was the rebirth of
original 1970s punk in another time and place. In between those decades was
something called the 1980s, during which time there wsas a surprisingly paucity
of poppy punk bands. There were a few though. This is a really cool item, a
full-length recorded in 1986 (!!!) and only finding its release a couple months
ago. Los Angeles was the home of BLACK
JAX, a very poppy four piece that
wrote some first-rate punk anthems. Well crafted guitar buzz with a couple
little ripping solos, very solid material that sounds completely fresh -- the
missing link between 1970s and 1990s pop-punk. Seriously, there are very, very
few good pop-punk bands from 1986, this is a real lost classic of that year.
-- Tim Chandler Mutant Pop Records
Ain't there any new music out
there? Another posthumous release, this L.A. band is from the mid-80's
(not to be confused with the Beantown band with a similar name from the same
era) tho they claim to channel the '70s punk sound. They never really
toured or put out any records during their heyday, but they did record an LP's
wortha who in 1986. Had they put this out then, it'd probably be really
cool, but now it sounds like way too many pop punk bands of today and will
probably get no attention. However, fans of BEATNIK TERMITES or WOOLLY
MAMMOTHS (or name-a-pop-punk-band) will find it nestles quite nicely in their
collection. I like it too.
-- Henry Yu Maximum Rocknroll
The Black Jax are a punk band outta
California circa the mid 80’s. The band members cite some of their influences
as the Ramones, Toy Dolls, Weirdos, and the Business. All of these groups are
accurate descriptions of the Black Jax. Plus all of their tunes are catchy,
melodic, and fun, particularly the small guitar solos. The sound quality is a
little stale, but not dreadful. And what I find even more interesting is the
fact that a newer band called the Teenage Knockouts has a sound almost identical
to the Black Jax, curiouser and curiouser… Collector geeks should take note.
-- Joe Domino www.blankgeneration.com

Wankin' Stiphs logo by Amanda
Wentz
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